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The Art of Human Connection
Born in Venezuela, Marjorie Pollack is a self-taught artist whose work pulses with emotion, elegance, and an intuitive sense of beauty. Rooted in impressionism yet subtly laced with realism and lyrical abstraction, her paintings explore the shared tenderness of human connection—each canvas a meditation on life’s fleeting moments.
Her journey into art began without formal training, but with an undeniable inner calling. From the start, Pollack painted with conviction, believing her work was meant to be seen, felt, and remembered.
In 1994, she moved to Southern California, but it was a chance visit to Klamath Falls, Oregon in 2006 that forever altered her path. Enchanted by its wild beauty, she relocated and began honing her craft under celebrated artists like Dorothy Hale and Susan Liskey.
Just three paintings into her new chapter, her work caught fire; drawing the attention of local press and curators alike. Since then, Pollack has exhibited at the Klamath Art Gallery, the Modoc Gallery, and the Favell Museum, becoming a quiet force in the regional art scene. Her pieces now grace both gallery walls and intimate local spaces, whispers of soul, color, and story.
Marjorie Pollack’s work stands at the intersection of instinct and intention, guided not by academic rules, but by a deep emotional intelligence. Her paintings often emerge from fleeting impressions: a shadow cast at dusk, the curve of a shoulder in silence, the memory of laughter in a sunlit room. She approaches each canvas as a quiet ritual, allowing color, light, and texture to unfold organically.
Unburdened by convention, she creates from a place of raw presence, where every brushstroke is both a release and a revelation. In doing so, she invites viewers into a moment suspended outside of time—intimate, unspoken, eternal.